Memology

Meme-spreading and mind viruses

Jane Friedman, long-time publisher of Writer’s Digest, talks with Wetmachine

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I first met Jane Friedman sometime around June, 2001, when she called to tell me that my novel Acts of the Apostles had won the Writer’s Digest National Self-Published Book Award for that year (in the “genre” category:  a juried competition with 324 entrants, ahem; I digress).

That call took place pretty early in Jane’s 12 year career at F+W Media (and pretty early in my self-publishing career, now that you mention it.) Her talent was obvious and she rose quickly. In 2008 she was named the publisher of Writer’s Digest, the No. 1 resource for working writers. In her varied roles at F+W, she was responsible for the management and growth of multiple book lines, annual directories, newsstand and subscriber-driven magazines, online education and services, e-commerce, print and online advertising, as well as national writing events and competitions.

Jane recently left WD to take a position as assistant professor at the University of Cincinnati, and she now teaches full-time in the e-media department of CCM. She’s a frequent speaker at writing and publishing events; her focus is on helping writers understand the transformation underway in the media and publishing industries, and how they can be successful and in control of their careers.

I recently asked Jane if she would like to be interviewed for Wetmachine and SelfPublishing Review. She said yes, and I sent her some questions; her answers appear below the fold (and will appear in SPR tomorrow). If you read my recent interview with Mark Coker of Smashwords, you’ll notice some overlap in my questions. I think it’s interesting to see where Jane agrees with Mark and where she differs. But all of her answers are thoughtful and some of them are quite intriguing.
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Smashwords founder Mark Coker talks to Wetmachine about the future of publishing

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Smashwords is a service for helping small and self-publishers format ebooks in diverse formats (for example: kindle, epub, PDF, Palm) and distribute them through diverse retail channels (for example Amazon, Apple, BN, Kobo, and Smashwords itself). A few weeks ago I sent Smashwords founder Mark Coker a note asking if I could interview him for Wetmachine & SelfPublishing Review. He said yes; I sent him some questions about the current & future state of book publishing, and he answered. His replies appear below the fold.

I found his answers interesting and direct, and I think you’ll enjoy reading what he had to say.
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Wetmachine and dog walk into a bar. . .

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So this guy walks into a bar with his dog. Puts the dog up on a barstool. Barkeep sez, “get that dog outta here.”

Guy sez, “Hey, this dog can talk.”
— “Go on.”
— “No really, he can talk. If he talks will you buy us a beer?”
— “Sure, if your dog can talk I’ll buy yz a beer.”
Dog don’t say nothin’. Pants, looks around, licks his balls.
–  “Get out.”
Guy sez, “You gotta ask him something!”

Barkeep thinks for a second. “OK. Who is the greatest baseball player of all time?”
Dog don’t say nothin. Keeps on saying nothin.

Barkeep throws the guy & dog out on their asses into the gutter.
Dog looks at the guy.

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DNA Robots — another “Acts” technology sighting

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According to this release from the BioDesign Institute at Arizona State University,

A team of scientists from Columbia University, Arizona State University, the University of Michigan, and the California Institute of Technology (Caltech) have programmed an autonomous molecular “robot” made out of DNA to start, move, turn, and stop while following a DNA track.

The development could ultimately lead to molecular systems that might one day be used for medical therapeutic devices and molecular-scale reconfigurable robots—robots made of many simple units that can reposition or even rebuild themselves to accomplish different tasks.

Or for creating the Overmind and repairing and reanimating the thawing head of Fred Christ, the frozen god, according to diabolical villain Monty Meekman, the power behind the throne at Digital Microsystems, Inc., and chancellor of the University of New Kent, as chronicled in my famous novel Acts of the Apostles and famous novella The Pains.

R.I.P. Jon Swift — a good man gone

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The funny, kind, decent and fiercely democratic (note the lower-case “d”) blogger Jon Swift has died, much too young. See Tom Watson’s appreciation here. Swift, whose “real world” name was Al Weisel, was a friend to Wetmachine, having twice or thrice blogged about this site as “a great site you’ve never heard of” or similar. I never met the man in person, but in email correspondence he was kind and helpful to me. As a blogger, he was an inspiration.

In honor of Al/Jon Swift, this week is Blogroll Amnesty Day at Wetmachine. If your blog is not spam, porn, or blatantly offensive and you’re willing to put Wetmachine on your blogroll, I’ll put you on ours. Leave details in the comments or send me a note to [my first name] at [this a-here website].

Perfect Day for Banana Man

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Don’t know if you’ve noticed, but there’s been a lot of gloomy stuff going around. Altogether too much of it, frankly. So here, apropos of whatever, to counterbalance that gloomiosity, a man who brought joy to my yute in giant carts full — and who still does.

Wow! Oooooooooooooooooh! Lah dah dee dah da deeeeeeeeeeeeeee! Hah! Wow!

Speechless

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A few years ago Wetmechanic Gary Gray and I interviewed my pal Cory Doctorow, the peripatetic author, hep cat, technogeek, futurephiliac, etc, etc, in the lobby of a hotel in Boston. We podcast the interview (in 3 parts) here on Wetmachine. (I’m too lazy to look for the links now, but you know how to use that search tool.) Anyway, Cory’s a good guy to interview because he has lots and lots of interesting things to say and he’s friendly & good natured. But conversations with Cory are half-duplex. (A term that any ancient geeks reading this post will remember. But for you young’uns I’ll explain: in full duplex communications, both ends of a link can send and receive messages. In half-duplex, one party sends and the other party receives. What I’m saying is that Cory is smart and nice and funny and interesting, but he doesn’t listen to a fucking word you say. (Or, in any event, he doesn’t listen to a fucking word *I* say.))

My favorite part of our conversation is where we’re talking about the costs and benefits of societal change, especially change brought about by technological advances. We’re talking about the possible end of the art form known as “the movie” as we know it today. What if digital duplication and peer-to-peer technologies make it economically infeasible for a studio to invest the sums necessary for a “real” movie like those we’ve become accustomed to for three quarters of a century or so (think: Lord of the Rings)? Cory makes the observation that with the Protestant Reformation came the end of the era of great cathedrals: because of the Reformation, no more grand cathedrals will ever be built. Cathedral-making is an art form that died because it had to die. But in exchange for that lost art, Cory says (I’m paraphrasing from memory), we got the Reformation. And then he asks “Was it worth it?”

If you listen closely, you can hear me responding, “that’s an interesting question.” (I know you’re not going to go find and listen to the podcast, but just pretend, OK?) Indeed, I thought it was a very interesting question. I was actually thinking about the costs, in blood and war and terror and murder and rape and rapine and starvation and hatred and blind tribal ignorance, that came with religious wars that accompanied the Reformation. And I was thinking about the mysterious awe-inspiring beauty of the (admittedly somewhat perverse) art form of the cathedral. And I was wondering, for the first time, what might have happened to the art form of the cathedral if the Reformation had never happened. I’m a technophobic & nostalgic guy, after all. I was thinking, “what if ever more and more beautiful cathedrals had been built?”

For Cory, of course, it was a rhetorical question, not a real question, and the answer was “yes”. Yes, losing the art form of the cathedral was an OK price to pay in exchange for the Reformation. Cory didn’t even hear, much less respond to, to my ambivalent response. He just steamrollered right over it. Of course the trade-off was worth it. Of course the new art forms that arise when old art forms are killed are “worth it”. The emergent art forms will offer new and unanticipated beauty and splendid insights into our human condition. So, he said (paraphrasing again), the old art must die so that that new and even more profound art can emerge.

As my 4 long-time readers might guess, I was skeptical about this. For I am given to worrying all the time about the wanton destruction of culture in the name of a bogus and ephemeral “progress”. I’m very skeptical about “progress.”

But then I saw the video embedded below, which I found on Spocko’s website — (and Spocko, in fact, actually discovered it on Cory’s own site Boing Boing). And now I’m starting to think, “Cory was right.” Not because this video is more beautiful and satisfying than (name your favorite movie (or cathedral)). But because this is a new art form. It’s shocking. It’s breathtaking. But it’s not shocking in the elitist “Épater la bourgeoisie” sense. It’s shocking because it’s so entrancing and fun, while at the same time implicitly raising a thousand deep questions (and I don’t even speak Korean). It’s just so unexpected, so friendly, so welcoming and so beautiful that I really can’t find words to respond to it. Sure, it’s just a little music video, and Lord knows a music video is not a new thing. But for now, tonight, this one feels to me like someting really really big. As big as the Iranian revolution on Twitter; or, more precisely, it’s an artistic exploration of the possibilities implicit in that revolution. And a big part of the reason for that is that it’s so human, so un-Godlike, so small.

UPDATE Below the fold, a minor elaboration.
UPDATE 2 On Ultrasaurus, Sarah Allen blogs about this post. I like what she has to say, and am impressed that she went back and actually listened to the interview.

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